There sat another of his n-- with a big stick in his hand as if he was going to strike something. Even that the hole in the side of the barn where the [inaudible] was stored had looked as if a board had been torn off. He glanced over in the corner and there'n a pile of dead coons which looked like a hundred or so.
Environment
Inaudible
36:19
Would you do it again? Was it the same effect between a quarter mile [inaudible] do a quarter mile.
Environment
Inaudible
46:08
And, uh, what are you going to [inaudible]
Environment
Inaudible
47:23
Well now, how do you, was there somebody [inaudible].
Environment
Inaudible
47:42
Oh, I see, well sing that and don't do your hands [Inaudible].
Environment
Inaudible
49:43
[Inaudible] Just sitting down is alright. Well no, I want to get it close to you. I'm going to put it around here. Now, you just face in that direction. Talk right out. [Adjusts the microphone].
Environment
Inaudible
55:23
And these were the mule-skinners who were doing the singing? And what do they do? Sing the song while they were [inaudible]
Environment
Inaudible
14:06:00
Will you sing that, will you repeat the point [inaudible]
Field Recordings T86-245
Environment
Inaudible
14:59
What Mr. Gilberto [inaudible] just said is that he is manager of a Latin group now playing at the Cuban Club in Tampa Florida who are going to sing for you some of their traditional Cuban songs. I am the pianist of the unit, Art Pages, and will play some of them for you myself.
Environment
Inaudible
15:50
Uh, the melody that Estella [inaudible] will sing for you next is a typical Cuban melody. This is sung in the country by the peasants. It's probably uh . . . I don't know what to say.
Environment
Inaudible
17:04
Ok, ask her to stay up, go up there and [inaudible] on the piano
Environment
Inaudible
18:28
Uh, the Cuban persons use songs to call on their loved ones especially at night or in the morning. The song that Estella [inaudible] sang is one of them. Uh, roughly, it is morning and he is singing to his loved one and though he claims that the sun is just out and he can see everything clearly, it seems like there is nothing around until he's seen her [distortion].
Environment
Inaudible
21:09
[inaudible] Explain what that song tells us [inaudible]
Environment
Inaudible
22:10
And that song is part of the regular [inaudible] around cane?
Environment
Inaudible
25:39
The song you have just heard was sung by [inaudible] Martinez. The name of the song is 'Merce'. It is a different type of song that have been sung before, for this one is dance, in dance halls in Cuba, that is that rhythm. You have also heard some Cuban drums played by Roman [inaudible] and Mr. Delfino was playing gourds and I was at the piano, Art Pages.
Environment
Inaudible
26:10
[inaudible]
Environment
Inaudible
27:21
[Inaudible]
Environment
Inaudible
28:52
Can you stand up there and explain, give me names [inaudible]? The manager. Can you give his name?
Environment
Inaudible
31:54
This was done by Ramon [inaudible] a Cuban drummer.
Environment
Inaudible
34:44
[inaudible]
Environment
Inaudible
34:58
I learned it all in the [inaudible].
Environment
Inaudible
35:33
[inaudible] the last lines of that song, Mr. Roberts. Repeat it for me.
Environment
Inaudible
35:53
yes [inaudible].
Environment
Inaudible
39:03
Sweet Robin One Morning in May' [inaudible]
Environment
Inaudible
39:53
[Inaudible] down the well and he'd sit there down in the well and they'd call his name so when after he got a song up [inaudible] and he said it so much, he said, 'Is that your name, Betty?' Oh, he said, 'that's my name Betty.'
Environment
Inaudible
40:27
How a fellow knows about his name [Distortion] He'd look in the well and then see his picture in the well and he'd say [inaudible] He said these words [inaudible] 'Is that your name, Betty?' Oh, he said, 'that's my name Betty.' That was the first time he ever told anybody's name.
Environment
Inaudible
44:23
[Inaudible]
Environment
Inaudible
46:13
[Inaudible]
Environment
Inaudible
47:21
[Inaudible]
Environment
Inaudible
49:04
[Inaudible]
Environment
Inaudible
49:45
Feel like I could give you a sample [inaudible]. I'm going to sing it now, eh?
Environment
Inaudible
51:52
[Inaudible]
Environment
Inaudible
52:49
[Inaudible]
Environment
Inaudible
55:45
I was here in Florida and he was in Florida too [inaudible]
Environment
Inaudible
55:58
[Inaudible]
Environment
Inaudible
56:02
[Inaudible]
Environment
Inaudible
56:11
[Inaudible]
Environment
Inaudible
56:26
[Inaudible] part of Abacos, yes.
Environment
Inaudible
56:32
About a hundred miles from Nassau [inaudible]
Environment
Inaudible
57:49
The answer to the riddle [inaudible]
S1576 , T86-243
00:00 / 00:00
00:52 - 01:00
[Inaudible]
Inaudible
05:46 - 05:59
[Inaudible]
Inaudible
15:43 - 15:49
[Inaudible]
Inaudible
35:47 - 35:49
[inaudible] Now go.
Herbert Halpert
Inaudible
37:42 - 37:53
[Inaudible]
Inaudible
49:33 - 49:33
[inaudible]
Herbert Halpert
Inaudible
49:46 - 49:46
Inaudible.
Herbert Halpert
Inaudible
S1576 , T86-244
00:00 / 00:00
03:56 - 03:56
[inaudible]
Herbert Halpert
Inaudible
06:22 - 06:41
There sat another of his n-- with a big stick in his hand as if he was going to strike something. Even that the hole in the side of the barn where the [inaudible] was stored had looked as if a board had been torn off. He glanced over in the corner and there'n a pile of dead coons which looked like a hundred or so.
Beatrice Lange
Inaudible
Story
36:19 - 36:23
Would you do it again? Was it the same effect between a quarter mile [inaudible] do a quarter mile.
Herbert Halpert
Inaudible
46:08 - 46:11
And, uh, what are you going to [inaudible]
Herbert Halpert
Inaudible
47:23 - 47:23
Well now, how do you, was there somebody [inaudible].
Herbert Halpert
Inaudible
47:42 - 47:42
Oh, I see, well sing that and don't do your hands [Inaudible].
Herbert Halpert
Inaudible
49:43 - 50:03
[Inaudible] Just sitting down is alright. Well no, I want to get it close to you. I'm going to put it around here. Now, you just face in that direction. Talk right out. [Adjusts the microphone].
Herbert Halpert
Inaudible
55:23 - 55:30
And these were the mule-skinners who were doing the singing? And what do they do? Sing the song while they were [inaudible]
Herbert Halpert
Inaudible
14:06:00 - 14:06:00
Will you sing that, will you repeat the point [inaudible]
Herbert Halpert
Inaudible
S1576 , T86-245
00:00 / 00:00
14:59 - 14:59
What Mr. Gilberto [inaudible] just said is that he is manager of a Latin group now playing at the Cuban Club in Tampa Florida who are going to sing for you some of their traditional Cuban songs. I am the pianist of the unit, Art Pages, and will play some of them for you myself.
Art Pages
Inaudible
15:50 - 15:50
Uh, the melody that Estella [inaudible] will sing for you next is a typical Cuban melody. This is sung in the country by the peasants. It's probably uh . . . I don't know what to say.
Art Pages
Inaudible
17:04 - 17:04
Ok, ask her to stay up, go up there and [inaudible] on the piano
Herbert Halpert
Inaudible
18:28 - 18:28
Uh, the Cuban persons use songs to call on their loved ones especially at night or in the morning. The song that Estella [inaudible] sang is one of them. Uh, roughly, it is morning and he is singing to his loved one and though he claims that the sun is just out and he can see everything clearly, it seems like there is nothing around until he's seen her [distortion].
Art Pages
Distortion
Inaudible
21:09 - 21:09
[inaudible] Explain what that song tells us [inaudible]
Herbert Halpert
Inaudible
22:10 - 22:10
And that song is part of the regular [inaudible] around cane?
Herbert Halpert
Inaudible
25:39 - 25:39
The song you have just heard was sung by [inaudible] Martinez. The name of the song is 'Merce'. It is a different type of song that have been sung before, for this one is dance, in dance halls in Cuba, that is that rhythm. You have also heard some Cuban drums played by Roman [inaudible] and Mr. Delfino was playing gourds and I was at the piano, Art Pages.
Art Pages
Inaudible
26:10 - 26:10
[inaudible]
Herbert Halpert
Inaudible
27:21 - 27:21
[Inaudible]
Herbert Halpert
Inaudible
28:52 - 28:52
Can you stand up there and explain, give me names [inaudible]? The manager. Can you give his name?
Herbert Halpert
Inaudible
31:54 - 31:54
This was done by Ramon [inaudible] a Cuban drummer.
Art Pages
Inaudible
34:44 - 34:44
[inaudible]
Herbert Halpert
Inaudible
34:58 - 34:58
I learned it all in the [inaudible].
Roberts
Inaudible
35:33 - 35:33
[inaudible] the last lines of that song, Mr. Roberts. Repeat it for me.
Herbert Halpert
Inaudible
35:53 - 35:53
yes [inaudible].
Roberts
Inaudible
39:03 - 39:03
Sweet Robin One Morning in May' [inaudible]
Roberts
Inaudible
39:53 - 39:53
[Inaudible] down the well and he'd sit there down in the well and they'd call his name so when after he got a song up [inaudible] and he said it so much, he said, 'Is that your name, Betty?' Oh, he said, 'that's my name Betty.'
Roberts
Inaudible
40:27 - 40:58
How a fellow knows about his name [Distortion] He'd look in the well and then see his picture in the well and he'd say [inaudible] He said these words [inaudible] 'Is that your name, Betty?' Oh, he said, 'that's my name Betty.' That was the first time he ever told anybody's name.
Roberts
Distortion
Inaudible
44:23 - 44:23
[Inaudible]
Inaudible
46:13 - 46:13
[Inaudible]
Herbert Halpert
Inaudible
47:21 - 47:21
[Inaudible]
Inaudible
49:04 - 49:04
[Inaudible]
Inaudible
49:45 - 49:45
Feel like I could give you a sample [inaudible]. I'm going to sing it now, eh?
Roberts
Inaudible
51:52 - 51:52
[Inaudible]
Inaudible
52:49 - 52:49
[Inaudible]
Inaudible
55:45 - 55:45
I was here in Florida and he was in Florida too [inaudible]